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ponkine

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  1. http://www.realgonerocks.com/2019/09/mammoth-gentle-giant-box-set-to-be-released-in-december/?fbclid=IwAR1co249rqirj9HYVmLwZMzIPNzL1Q-45v7JgAuEIveUVAE4ZkpuClA-3OU Limited Edition 30-disc Box Set Released 6th December Authorised by all band members 20th September 2019 London: Madfish proudly present the ultimate box set of Gentle Giant music. Highly regarded in the prog-rock world for the 12 albums they released between 1970 and 1980, this comprehensive set sees the bands catalogue augmented by 15 new concert albums: seven never previously released, seven never previously officially released and one never previously released on CD. The 30-disc total also includes two posthumous live/outtake albums and a Blu-ray bonus disc. Also included are books, posters, replica promotional items and much more. Unburied Treasure will be released on 6th December and is limited to 2000 copies. You can pre-order it from here now: https://madfish.lnk.to/GGunburiedtreasure Youtube link to box set trailer: Gentle Giant emerged from the ashes of chart hitmakers Simon Dupree and the Big Sound to become standard-bearers of the Seventies progressive movement. Their career often paralleled Genesis, their neighbours in the record racks, but while they frequently fought shy of commerciality largely due to their pop past and paid the price in sales terms, their uncompromising attitude won them a strong following in continental Europe. They also enjoyed cult status in the States. When Frank Zappa was asked in 1978 who he was currently listening to, he namechecked Queen and Gentle Giant. (Coincidentally, Roy Thomas Baker not only engineered Giants earliest sessions but went on to produce the iconic Bohemian Rhapsody.) Strictly limited to 2,000 copies, this lavishly presented collection is clad in Bob Venables new artwork, based on the iconic sleeve created by illustrator and Bowie alumnus George Underwood for the bands Vertigo label debut in 1970. That full album has been remixed for this releases Blu-ray disc by prolific rock musician Steven Wilson, whose reputation for remixing prog-rock classics in recent years is second to none. The remix is available in high resolution 96/24 Stereo LPCM, 96/24 5.1 surround LPCM and DTS-HD 5.1 surround mixes, and the instrumental mixes for every track are also included. The foundation of the set is the dozen albums officially released during Gentle Giants 11 years as a recording act but, for all their studio skills, Giants musical abilities were given freest rein on stage. Yet only one live album, 1977s double vinyl Playing The Fool, was issued in their lifetime, so fans will be in seventh heaven at the prospect of 15 unreleased sets. Covering almost every period of the bands existence, they allow the individual members multi-instrumental abilities to be appreciated to their fullest extent. Arrangements were changed and refined from tour to tour, including many segues and medleys, so these concert recordings offer year-by-year evidence of the bands progression. All the music, live and studio, has been remastered by Pete Reynolds, acclaimed for his work on the Wishbone Ash box of 2018. The audio experience is enhanced by a magnificent 136-page coffee table book. This combines rare photographs and memorabilia with a painstakingly researched history by Alan Kinsman. A fan for 45 years, he has achieved the near impossible by interviewing all members of the band in depth, including Phil Shulman who left brothers Derek and Ray to pilot the band in 1973 after providing much of the initial impetus. The result is a must-read that will unlock many mysteries, clear up misunderstandings and finally give the music the context it deserves. Also exclusive to this limited edition set are: A band photo signed by the classic line-up of Derek Shulman, Ray Shulman, Gary Green, Kerry Minnear and John Weathers. An exclusive 96-page tour history book compiled by Jack Skelly offering informed commentary on the live recordings, set lists, on-the-road memorabilia and more. Two replica posters, one from Giants debut gig in 1970 and the other promoting 1974s classic The Power And The Glory album. Replicas of album giveaway items: the Playing The Fool LP booklet (included with the initial pressing only) and the Giant For A Day mask. A replica of the jigsaw used to promote the Missing Piece album. The chance to win a reproduction of Giants rarest ever piece of memorabilia a screen-printed mirror produced to promote The Power And The Glory; only 100 were originally created. A golden missing piece included at random in one box set may be traded in by the lucky winner for this coveted item. For too long prog-rocks best-kept secret, Gentle Giant finally achieved wider recognition in 2015, upsetting the odds to scoop Prog magazines coveted Lifetime Achievement Award. Two years later, their home city of Portsmouth honoured their achievements both as a band and individually by inducting them into the Hall of Fame at the Guildhall; Derek went on to become a leading record-business figure, Ray a noted producer. Unburied Treasure is further recognition that this was a band ahead of its time, and one whose unwillingness to compromise has ultimately enhanced its legacy. Giant always set out to have a good time and to make sure the audience had a good time, says drummer John Weathers. Wed always go on and see if we could play better than we did the night before. I cant wait to see this definitive box set. Derek Shulman would like Gentle Giant to be remembered as a group with integrity. It wasnt done for any other reason than simply being together playing music and challenging ourselves to be better. We hated compromise, and we had a lot of integrity in terms of what the music was about. For fans of quality progressive rock, Unburied Treasure is the motherlode.
  2. Hola amigos! Desde hace varios días no puedo ver los últimos temas en compras y ventas. Por ejemplo, ahora mismo aparece "Pioneer N-30 Streamer". Pero cuando hago clic en el foro de Compras y Ventas, el último tema que se sale es DAC Valvular Xiang ... ¿Por qué pasa eso? ¿Cómo se puede arreglar?
  3. El peak del Loudness war fue entre aproximadamente los años 2000 al 2008 Marcaron un antes y después los Beatles remasters. Sobre todo en Mono, que mantuvieron intacto el rango dinámico original de las grabaciones análogas. Los stereo fueron un tanto más comprimidos y ecualizados, pero al menos se podían escuchar A partir de ahí muchos artistas y bandas comenzaron por fin a cuestionarse sobre la validez del loudness war. Incluso algunos como Steven Wilson, que en su época de Porcupine Tree en los 2000 lanzó discos hiper comprimidos, después cuando comenzó él a remezclar álbumes clásicos de King Crimson, Yes, Jethro Tull, etc dejó para siempre el loudness war Pero hay otros artistas que se han aferrado a él y no han querido dejarlo. Metallica, Oasis, etc. Existe una historia verídica, que cuando aún existía el sello Audio Fidelity (QEPD) fueron en persona a hablar con los representantes de Oasis para lanzar ediciones audiófilas de 'Definitely Maybe' (disco que para mí empezó de lleno con la era loudness war, por allá por 1994) y 'What's The Story Morning Glory' ... la respuesta fue que "no, por que ya los remasterizamos" (!), con el resultado horrible que todos conocemos Aún falta mucho para que termine el loudness war, pero al menos ya se ha dado un gran paso, que la moda, la urgencia por hiper comprimir todo ya está pasando, haciendo incluso que artistas vuelvan a grabar en forma análoga (aunque sabemos que el loudness war se usa sobre todo en la etapa de masterización)
  4. Flotsam and Jetsam ... is a collection of B-sides, remixes and rarities from across Peter Gabriel’s solo career. Over 60 tracks are featured, many have been previously released physically, either on 7”, 12” or CD singles, soundtrack or tribute albums, but, with a few exceptions, are being released here digitally for the first time. Listen to Flotsam and Jetsam The first era, 1976-1985, covers the period from Peter first going solo to the end of his run of four self-titled solo albums. It opens with a cover version of ‘Strawberry Fields Forever’, the first time Peter featured on a release after leaving Genesis, and includes alternate versions of 'Slowburn', 'Perspective', 'I Don't Remember' and 'Here Comes The Flood'. The second, 1986-1993, are Peter’s popstar years with music released around the albums ‘So’ and ‘Us’. It includes tracks such as 'Curtains', 'Don't Break This Rhythm' (the full, previously unreleased, version), 'Quiet Steam' and 'Bashi-Bazouk' as well as remixes from William Orbit, The Bomb Squad and Massive Attack. The third era is 1994-2016 and features remixes from the ‘Up’ album by Trent Reznor, Tricky, Röyksopp and Elbow, plus film versions of songs like 'I Grieve' and 'Signal to Noise' and notable cover versions of Leonard Cohen's 'Suzanne', the George Gershwin classic 'Summertime' and Joseph Arthur's 'In The Sun'. As well as the aforementioned 'Don't Break This Rhythm', the collection also contains previously unreleased versions of ‘Slowburn’ (from PG1) and the tracks ‘Curtains (Broad Mix)’ and ‘Father, Son (Daniel Lanois and Richard Chappell Mix)’.
  5. Mi disco favorito de Bill Bruford's Earthworks - A Part and Yet Apart
  6. @piav es el hombre indicado
  7. Y acá el anuncio oficial completo https://www.dgmlive.com/news/ITCOTCK 50th Anniversary edition
  8. https://burningshed.com/king-crimson_itcotck-50th-anniversary_3cd_blu-ray?page=1 Full track list:3 CDs / 1 BR edition:Blu-Ray NTSC, zones ABC, playable on all BD players & drives, includesDTS-HD MA 5.1 & LPCM 5.1 24/96DTS-HD MA Stereo & LPCM 24/962019 5.1 mixes1 21st Century Schizoid Man2 I Talk to the Wind3 Epitaph4 Moonchild5 The Court of the Crimson KingAdditional track6 I Talk to the Wind (duo version)Mixed by Steven Wilson+Original Master Edition1 21st Century Schizoid Man2 I Talk to the Wind3 Epitaph4 Moonchild5 The Court of the Crimson KingProduced by King Crimson, mastered by Simon Heyworth+Alternate Album1 21st Century Schizoid Man2 I Talk to the Wind3 I Talk to the Wind4 Epitaph5 Epitaph6 Moonchild7 The Court of the Crimson King(1 Morgan studios June 1969 take with Greg Lake vocal overdubs from Wessex August 1969 & Mel Collins & Jakko Jakszyk August 2019 overdubs 2 Alternate 2019 mix 3 Duo version, full length master, 2019 mix 4 Vocals isolated/highlighted, 2019 mix 5 Alt take - 2019 mix 6 Take 1, 2019 mix 7 Morgan studios, June 1969 take, 2019 mix)Mixed by Steven Wilson except 1, 4 mixed by David Singleton+Additional material1 Wind Session2 21st Century Schizoid Man3 I Talk to the Wind4 Epitaph5 Moonchild6 The Court of the Crimson King7 21st Century Schizoid Man8 The Court of the Crimson King (part 1)9 The Court of the Crimson King (part 2)(1 2019 stereo mix 2 Trio version, 2019 mix 3 Studio run through, 2019 mix 4 Backing track, 2019 mix 5 Album edit, 2009 mix 6 Take 3, 2009 mix 7 Morgan studios take, June 1969 8, 9 Single a/b side, 1969)Mixed by Steven Wilson 1 – 6, Mixed by King Crimson 7 – 9+2019 Instrumental mixes1 21st Century Schizoid Man2 I Talk to the Wind3 Epitaph4 Moonchild5 The Court of the Crimson KingMixed by Steven Wilson+Video: 21csm extract Hyde Park 1969-------------------------------------------------------------------------------CD1 2019 stereo mixes & instrumental mixes1. 21st Century Schizoid Man2. I Talk to the Wind3. Epitaph4. Moonchild5. The Court of the Crimson King6. 21st Century Schizoid Man7. I Talk to the Wind8. Epitaph9. Moonchild (edit)10. The Court of the Crimson King1 - 10 mixed by Steven WilsonCD2 Alternate Album, expanded edition1 Wind Session2 21st Century Schizoid Man3 I Talk to the Wind4 I Talk to the Wind5 Epitaph6 Epitaph7 Moonchild8 The Court of the Crimson King9 21st Century Schizoid Man(1 Wind Session, 2019 stereo mix 2 Morgan studios June 1969 take with Greg Lake vox overdubs from Wessex August 1969 & Mel Collins/Jakko Jakszyk August 2019 overdubs 3 Alternate 2019 mix 4 Duo version, full length master, 2019 mix 5 Vocals isolated/highlighted, 2019 mix 6 Alt take - 2019 mix 7 Take 1, 2019 mix 8 Morgan studios, June 1969 take, 2019 mix 9 Trio version, 2019 mix)Mixed by Steven Wilson except 2, 5 mixed by David SingletonCD3 Original Master Edition, expanded1 21st Century Schizoid Man2 I Talk to the Wind3 Epitaph4 Moonchild5 The Court of the Crimson King6 21st Century Schizoid Man7 I Talk to the Wind8 Epitaph9 The Court of the Crimson King (single a side)10 The Court of the Crimson King (single b side)(1 to 5 Original master edition produced by King Crimson Mastered by Simon Heyworth 6 Morgan studios instrumental take, 1969, produced by King Crimson 7 studio run through, 2019 mix by Steven Wilson 8 Backing track, 2019 mix by Steven Wilson 9/10 Original single master)---------------NOTE: "The Alternate album appears, quite deliberately, in slightly different track-listings on the Blu-Ray & CD (& on the accompanying double vinyl set). The aim on the Blu-Ray was to provide a fully sequenced listen that closely resembled the original album running order. This was extended on the CD, gathering many of the new mixes on one disc & revised again to make for a satisfying listen on vinyl."
  9. OJO que ese es sólo un compilado de The Later Years, tal como sacaron uno de Early Years Es un vinilo doble que tiene de todo un poco. Nada más esperemos que el box set baje de precio, o en su defecto, salgan por separado el Delicate Sound of Thunder y el Pulse en Blu Ray
  10. https://www.superdeluxeedition.com/news/r-e-m-monster-anniversary-reissue/#more-152163 Disc: 1 (CD) Monster remastered 1. What’s The Frequency, Kenneth? 2. Crush With Eyeliner 3. King Of Comedy 4. I Don’t Sleep, I Dream 5. Star 69 6. Strange Currencies 7. Tongue 8. Bang And Blame 9. I Took Your Name 10. Let Me In 11. Circus Envy 12. You Disc: 2 (CD) Unreleased Demos 1. Pete’s Hit 2. Uptempo Mo Distortion 3. Uptempo Ricky 4. Harlan County with Whistling 5. Lost Song 6. AM Boo 7. Mike’s Gtr 8. Sputnik 1 Remix 9. Black Sky 4-14 10. Revolution 4-21 11. Rocker with vocal 12. Time Is On Mike’s Side 13. 1Experiment 4-28 no vocal 14. Highland Fling 4-29 15. Cranky 4-29 Disc: 3 (CD) Monster Scott Litt 2019 remix 1. What’s The Frequency, Kenneth? (2019 Remix) 2. Crush With Eyeliner (2019 Remix) 3. King Of Comedy (2019 Remix) 4. I Don’t Sleep, I Dream (2019 Remix) 5. Star 69 (2019 Remix) 6. Strange Currencies (2019 Remix) 7. Tongue (2019 Remix) 8. Bang And Blame (2019 Remix) 9. I Took Your Name (2019 Remix) 10. Let Me In (2019 Remix) 11. Circus Envy (2019 Remix) 12. You (2019 Remix) Disc: 4 (CD) Live in Chicago 6/3/95 – Monster 1995 Tour (Part One) 1. What’s The Frequency, Kenneth? 2. Circus Envy 3. Crush With Eyeliner 4. Near Wild Heaven 5. Welcome To The Occupation 6. Undertow 7. I Took Your Name 8. Strange Currencies 9. Me In Honey 10. Revolution 11. Tongue 12. Man On The Moon 13. Country Feedback 14. Monty Got A Raw Deal Disc: 5 (CD) Live in Chicago 6/3/95 – Monster 1995 Tour (Part Two) 1. Losing My Religion 2. You 3. Departure 4. Orange Crush 5. Get Up 6. Star 69 7. Let Me In 8. Everybody Hurts 9. So. Central Rain (I’m Sorry) 10. Pop Song 89 11. Its The End Of The World As We Know It (And I Feel Fine) Disc: 6 (Blu-ray) Monster in 5.1 plus videos and Road Movie 1. Monster – 5.1 Surround Sound 2. Monster – Hi-Resolution Audio 3. Road Movie (concert film) 4. What’s The Frequency, Kenneth? (music video) 5. Crush With Eyeliner (music video) 6. Star 69 (music video) 7. Strange Currencies (music video) 8. Tongue (music video) 9. Bang and Blame (music video) Monster 25th anniversary 2LP vinyl LP 1 1. What’s The Frequency, Kenneth? 2. Crush With Eyeliner 3. King Of Comedy 4. I Don’t Sleep, I Dream 5. Star 69 6. Strange Currencies 7. Tongue 8. Bang And Blame 9. I Took Your Name 10. Let Me In 11. Circus Envy 12. You LP 2 1. What’s The Frequency, Kenneth? (2019 Remix) 2. Crush With Eyeliner (2019 Remix) 3. King Of Comedy (2019 Remix) 4. I Don’t Sleep, I Dream (2019 Remix) 5. Star 69 (2019 Remix) 6. Strange Currencies (2019 Remix) 7. Tongue (2019 Remix) 8. Bang And Blame (2019 Remix) 9. I Took Your Name (2019 Remix) 10. Let Me In (2019 Remix) 11. Circus Envy (2019 Remix) 12. You (2019 Remix) Monster 25th anniversary 2CD deluxe CD 1 1. What’s The Frequency, Kenneth? 2. Crush With Eyeliner 3. King Of Comedy 4. I Don’t Sleep, I Dream 5. Star 69 6. Strange Currencies 7. Tongue 8. Bang And Blame 9. I Took Your Name 10. Let Me In 11. Circus Envy 12. You CD 2 1. What’s The Frequency, Kenneth? (2019 Remix) 2. Crush With Eyeliner (2019 Remix) 3. King Of Comedy (2019 Remix) 4. I Don’t Sleep, I Dream (2019 Remix) 5. Star 69 (2019 Remix) 6. Strange Currencies (2019 Remix) 7. Tongue (2019 Remix) 8. Bang And Blame (2019 Remix) 9. I Took Your Name (2019 Remix) 10. Let Me In (2019 Remix) 11. Circus Envy (2019 Remix) 12. You (2019 Remix)
  11. https://www.amazon.co.uk/TBC/dp/B07WP7568V/ref=pd_cp_15_1/260-1139543-5046608?_encoding=UTF8&pd_rd_i=B07WP7568V&pd_rd_r=54d00b37-144b-4b7a-84aa-9c3232bfaa7c&pd_rd_w=4pCD2&pd_rd_wg=A2A4k&pf_rd_p=01704ebe-a86a-4b47-8c36-0f9f5bbc2882&pf_rd_r=KD8M1A5EWFR6S92NBNZ4&psc=1&refRID=KD8M1A5EWFR6S92NBNZ4&tag=tapatalk02-20 De momento está carísimo. Me imagino que sí o sí lo van a bajar. No tiene sentido que valga más caro que "The Early Years", que tenían MUCHÍSIMO más material, muchos más discos y a mejor precio.
  12. https://www.superdeluxeedition.com/news/gong-love-from-planet-gong-the-virgin-years-1973-1975-13-disc-box/#more-152256 50th anniversary box • 12CD+DVD • Surround sound • Remastered Curated by Steve Hillage and released with the full involvement of original members, legendary psychedelic surrealists Gong are the subject of a new box set with the release of Love From Planet Gong: The Virgin Years 1973-75. This 13-disc package includes the band’s first four Virgin studio albums, with bonus tracks; previously unreleased, multi-tracked full gigs, the complete John Peel Sessions from 1973 and 1974; previously unreleased quad Pye and Westlake mixes of 1974’s You (re-formatted to 5.1 surround-sound), and artwork including rare and previously unseen work by the late Daevid Allen. Audio is re-mastered by original engineer Simon Heyworth and while live recordings are mixed by Gong Bassist Mike Howlett. This set comes with a 64-page illustrated lyric booklet that includes Angel’s Egg’s famously quirky and informative ‘Blue Book’ and a new companion to Flying Teapot ‘Green Book’. Love From The Planet Gong: The Virgin Years 1973-75 will be released on 27 September 2019. This set is available to pre-order via the SDE shop. CD 1 / Flying Teapot 1. Radio Gnome Invisible – Remastered 2018 2. Flying Teapot – Remastered 2018 3. The Pothead Pixies – Remastered 2018 4. The Octave Doctors And The Crystal Machine – Remastered 2018 5. Zero The Hero And The Witch’s Spell – Remastered 2018 6. Witches Song / I Am Your Pussy – Remastered 2018 7. Radio Gnome Invisible – Rough Mix 8. Radio Gnome Premix – Story Narration 9. Flying Teapot – Mix 21 10. The Pothead Pixies – Second To Last Mix 11. Flying Teapot – Rough Mix CD 2 / Angel’s Egg 1. Other Side Of The Sky 2. Sold To The Highest Buddha 3. Castle In The Clouds 4. Prostitute Poem 5. Givin’ My Luv To You 6. Selene 7. Flute Salad 8. Oily Way 9. Outer Temple 10. Inner Temple 11. Percolations 12. Love Is How Y Make It 13. I Never Glid Before 14. Eat That Phone Book Coda 15. Other Side Of The Sky 16. Ooby-Scooby Doomsday Or The D-Day DJ’s Got The D.D.T. Blues 17. Love Is How Y Make It 18. Eat That Phone Book Coda CD 3 / You 1. Thoughts For Naught 2. A P.H.P.’s Advice 3. Magick Mother Invocation 4. Master Builder 5. A Sprinkling Of Clouds 6. Perfect Mystery 7. The Isle Of Everywhere 8. You Never Blow Yr Trip Forever 9. A P.H.P.’s Advice 10. Where Have All The Flowers Gone CD 4 / Shamal 1. Wingful Of Eyes 2. Chandra 3. Bambooji 4. Cat In Clark’s Shoes 5. Mandrake 6. Shamal 7. Bambooji 8. Chandra 9. Wingful Of Eyes CD 5 / BBC Radio 1 Sessions And Edinburgh Live 1. You Can’t Kill Me 2. Radio Gnome Direct Broadcast 3. Other Side Of The Sky 4. Zero The Hero And The Witch’s Spell 5. Flute Salad 6. Oily Way 7. Outer Temple 8. Inner Temple 9. Castle In The Clouds 10. 6/8 Tune 11. Radio Gnome Invisible 12. Zero The Hero And The Witch’s Spell 13. Flying Teapot CD 6 / Paris Bataclan Live, 20th May 1973, Pt.1 1. Other Side Of The Sky 2. Dynamite / I Am Your Animal 3. 6/8 Tune 4. I Never Glid Before 5. Zero The Hero And The Witch’s Spell 6. Ooby-Scooby Doomsday Or The D-Day DJ’s Got The D.D.T. Blues 7. Est-ce Que Je Suis? 8. I’ve Bin Stone Before 9. Mr Longshanks / Oh Mother 10. I Am Your Fantasy 11. You Can’t Kill Me CD 7 / Paris Bataclan Live, 20th May 1973, Pt.2 1. Flute Salad 2. Oily Way 3. Outer Temple 4. Flying Teapot 5. Dynamite 6. You Can’t Kill Me 7. I Never Glid Before CD 8 / Roanne – Club Arc En Ciel Live, 17th Aug 1973, Pt.1 1. Other Side Of The Sky 2. Dynamite / I Am Your Animal 3. 6/8 Tune 4. I Never Glid Before 5. Zero The Hero And The Witch’s Spell 6. I Am Your Pussy CD 9 / Roanne – Club Arc En Ciel Live, 17th Aug 1973, Pt.2 1. I Am Your Pussy 2. You Can’t Kill Me 3. Ooby-Scooby Doomsday Or The D-Day DJ’s Got The D.D.T. Blues 4. Flute Salad 5. Oily Way 6. Outer Temple 7. Inner Temple 8. Radio Gnome Invisible CD 10 / London – Hyde Park Live, 28th June 1974 1. A Sprinkling Of Clouds 2. I Never Glid Before 3. I’ve Bin Stone Before 4. Mr Longshanks / Oh Mother 5. The Isle Of Everywhere 6. I Am Your Fantasy 7. Master Builder CD 11 / London – The Marquee Club Live, 9th & 10th Sept 1975, Pt.1 1. Aftaglid 2. Flute Salad 3. Oily Way 4. 6/8 Tune 5. Solar Musick Suite 6. Bambooji CD 12 / London – The Marquee Club Live, 9th & 10th Sept 1975, Pt.2 1. Bambooji 2. The Isle Of Everywhere 3. Wingful Of Eyes 4. The Salmon Song 5. Master Builder 6. Drum Solo 7. Flying Teapot 8. I Never Glid Before DVD / You Quad Surround Sound 1. Thoughts For Naught 2. A P.H.P.’s Advice 3. Magick Mother Invocation 4. Master Builder 5. A Sprinkling Of Clouds 6. Thoughts For Naught 7. A P.H.P.’s Advice 8. Magick Mother Invocation 9. Master Builder 10. A Sprinkling Of Clouds 11. Perfect Mystery 12. The Isle Of Everywhere 13. You Never Blow Yr Trip Forever
  13. Este disco está muy bueno. Con influencias Camel y el progresivo de los 70s https://phog.bandcamp.com/album/evidence
  14. https://www.npr.org/2019/08/16/751516859/a-lost-album-from-john-coltrane-is-found-with-thanks-to-a-french-canadian-direct John Coltrane, photographed in his backyard in Queens, New York in 1963. JB/© Jim Marshall Photography LLC "There is never any end," John Coltrane said sometime in the mid-1960s, at the height of his powers. "There are always new sounds to imagine; new feelings to get at." Coltrane, one of jazz's most revered saxophonists, was speaking to Nat Hentoff about an eternal quest — a compulsion to reach toward the next horizon, and the next. More than half a century after his death, that restless pronouncement also carries implications for us, the beneficiaries of Coltrane's music. Not only because his body of work represents a fathomless realm of insight, as his many admirers can attest — but also because it has recently yielded surprise discoveries from his prime. Just over a year ago, Impulse! had a phenomenal success with Both Directions at Once: The Lost Album, a startling assemblage of studio recordings made by the John Coltrane Quartet in 1963. That two-disc set posthumously gave Coltrane his first-ever debut on the Billboard 200, at No. 21; according to the label, global sales have exceeded 250,000 copies. Now comes word of another new album by the classic John Coltrane Quartet, with McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums. Blue World will be released on Impulse!/UMe on Sept. 27, and like Both Directions it offers an unexpected view on a pivotal period in the band's evolution. It was recorded at Van Gelder Studios on June 24, 1964 — a few weeks after the quartet put a finishing touch on the album Crescent — as the soundtrack to a Canadian art film. Because the date had gone unnoted in session recording logs, this music has occupied a blind spot for Trane-ologists, archivists and historians. Courtesy of Impulse! Records But it's featured prominently throughout the film, Le chat dans le sac (The Cat in the Bag) — a coolly stylized, politically charged docufiction by Gilles Groulx, considered a landmark of Québec cinema. Within the first two minutes of screen time — during direct-to-the-camera intros by Barbara and Claude, the young idealists whose uncoupling provides the film with its narrative tension — you can hear Coltrane's quartet start into his exquisite ballad "Naima." (The curious can watch the film here, courtesy of the National Film Board of Canada.) Coltrane had first recorded "Naima" five years earlier, for the Atlantic album Giant Steps. His quartet had played it often in live settings, but this is a studio version, and a truly excellent one. It plays in its entirety, all four-and-a-half minutes, as Claude and Barbara make their opening statements. A following scene, revealing the lovers in a sensuous idyll, is also scored with new-to-us music by the Coltrane quartet, playing the saxophonist's smoldering "Village Blues." YouTube In his liner notes for Blue World, Ashley Kahn outlines the circumstances that led Coltrane to contribute to the film. Barbara Ulrich, who played Barbara and was later romantically involved with Groulx, remembers the situation matter-of-factly. "When we moved in together," she says of Groulx, "it turned out we had many of the same albums — jazz was holiness to Gilles and he had every Coltrane album that ever came out. Coltrane to him was an absolute master." Through a mutual acquaintance, Groulx was friendly with Jimmy Garrison, which seems likely to have been the opening he needed to approach Coltrane. At the time, Groulx was working for the state-sponsored National Film Board, honing his skills as a documentary filmmaker. He had also fallen under the spell of the French New Wave — in particular, the work of Jean-Luc Godard, whose visual cool, jump-cut edits and verité dialogue are all clear influences on Le chat dans le sac. There was a glowing precedent of modern-jazz scores in Francophone films, notably Miles Davis' celebrated work on Louis Malle's Ascenseur pour l'echafaud ("Elevator to the Gallows") and Thelonious Monk's less-famous effort for Roger Vadim's Les liaisons dangereuses ("Dangerous Liaisons"), which has recently begun to receive its due. When Groulx approached Coltrane with a list of possible songs, he surely had this ideal somewhere in mind. His film also directly addresses the disenfranchisement of Québec's Francophone population, drawing a parallel with anticolonial movements of that era. (Claude, though drawn as an insufferable mope, espouses a radical politics of the sort that Groulx seems to find agreeable.) For Coltrane, who had recorded originals meaningfully titled "Liberia" and "Africa," this subtext of independence and freedom may have been especially appealing. But Coltrane hadn't seen a cut of the film when he recorded the soundtrack, which — probably due in equal part to Groulx's taste and the onus of licensing — consists of new versions of prior material. (The album includes three takes of "Village Blues," two takes of "Naima," and one apiece of "Like Sonny" and "Traneing In.") This was an unusual move for Coltrane, especially in the studio. "For this reason alone," observes Kahn, "Blue World offers a special opportunity, which is the chance to compare these versions with previous perspectives, revealing both Coltrane's personal progress and the interactive consistency and sonic details the Classic Quartet had firmly established as their collective signature by 1964." A case in point is the title track of Blue World, which Impulse! has released today. This powerful performance, excerpts of which appear in the final stretch of Le chat, unfurls in undulating waltz time, with Tyner tolling dark-hued block chords against Jones' polyrhythmic hum of cymbals and toms. Garrison is a pivot point, holding down the song's center without sealing off any avenue for digression. Which brings us to Coltrane, whose tenor is a revelatory voice throughout the song. He composed "Blue World" using an existing harmonic framework, from the Harold Arlen-Johnny Mercer standard "Out of This World." (He had, in fact, recorded that song in 1962, for the album titled Coltrane, in the same key and with a similar rhythmic arrangement, at a brighter tempo). The harmonic language Coltrane employs in his improvisation, and the solid heft of his phrasing, feel distinct from that earlier version of the song. There are moments in his tenor solo on "Blue World" that point clearly in the direction of A Love Supreme, which the quartet would record months later, in December. Coltrane's methodical yet unscripted push into different tonal centers, expressed as a form of incantatory fervor, should be familiar to anyone who has ever been entranced by "Acknowledgment," the first movement in the Love Supreme suite. That we're just now latching on to this music, which was never exactly hidden but also never accounted for, recalls the expression of vastness that Coltrane once described. It also resonates well with a moment early in Le chat dans le sac, as Barbara stands before an oversize map of Montréal, where most of the film takes place. "Right here," she says amiably, pointing at a spot on the map. "Such a little city in that huge space, this huge country..." she trails off, scanning the territorial expanse, as if momentarily awed by the breadth of all that she has yet to know.
  15. https://www.loudersound.com/news/steve-hackett-to-release-live-orchestral-album?fbclid=IwAR01dE8AaYnzv4N8DSOletC_UQA7piNir9r5u3YnL6pIe0wdf_q5ZUz9ags Steve Hackett has announced that he’ll release a new live album later this year. It’s titled Genesis Revisited Band & Orchestra: Live At The Royal Festival Hall and it’ll launch on October 25 through InsideOut Music. The performance was recorded in London on October 5, 2018, on Hackett’s Genesis Revisited Tour, where he was joined by vocalist Nad Sylvan, keyboardist Roger King, drummer Gary O'Toole, saxophonist Rob Townsend and bassist Jonas Reingold, along with with special guests John Hackett and Amanda Lehmann and the 41-piece Heart Of England Orchestra conducted by Bradley Thachuk. And to mark the news, Hackett has released a trailer for the live package which can be watched below. Hackett says: “It was a fantastic experience for both the band and myself to play alongside an orchestra and to feel the power of the sound this extraordinary combo created. It sounds equally compelling on both film and audio. I'm proud to release this exciting product.” Genesis Revisited Band & Orchestra: Live At The Royal Festival Hall will be released on 2CD/Blu-ray Digipak and along with the live music, it'll contain a behind-the-scenes documentary along with promo videos for Under The Eye Of The Sun, Beasts In Our Time and Peace. Hackett will head out on the road across the UK later this year – a run of shows that will see him play Selling England By The Pound in full along with material from Spectral Mornings to mark its 40th anniversary. Steve Hackett: Genesis Revisited Band & Orchestra: Live At The Royal Festival Hall CD 1 1. Dance On A Volcano 2. Out Of The Body 3. The Steppes 4. Firth of Fifth 5. Dancing With The Moonlit Knight 6. Blood On The Rooftops 7. Shadow of the Hierophant CD 2 1. In That Quiet Earth 2. Afterglow 3. Serpentine Song 4. El Nino 5. Supper's Ready 6. The Musical Box
  16. Para los que se quedaron con las ganas CONCIERTO AGOTADO Nueva fecha añadida ¡Por exito de ventas y por que ustedes lo pidieron hay 2 show de Pat Metheny en Chile! Entradas a la venta en Ticketek.cl desde el lunes 12 de agosto y puntos habilitados que puedes revisar en: https://goo.gl/pF9H9p Sin cargo en Comunidad de las Artes (Providencia con Manuel Montt).20% de descuento para los fans con entrada al primer concierto, válido hasta el lunes 26 de agosto o hasta agotar stock disponible. Para activar el descuento en compras online, ingresar el rut del comprador. Para compras en puntos de ventas, presentar el ticket del primer concierto.
  17. http://www.superdeluxeedition.com/news/the-beatles-abbey-road-reissued-for-its-50th-anniversary-across-six-formats/#more-151776 3CD+blu-ray box • 3LP vinyl • 2CD deluxe • vinyl picture disc • 5.1 & Dolby Atmos surround mixes • Two discs of outtakes in both CD and vinyl sets The Beatles‘ 1969 album Abbey Road will be reissued for its 50th anniversary in September. All six physical formats offer a brand new Giles Martin (& Sam Okell) stereo mix and for the first time all the bonus sessions are available on vinyl and CD. Full format details below… The 3CD+blu-ray super deluxe edition delivers Giles Martin’s new stereo mix on CD 1 with two further CDs of outtakes and unreleased rarities (‘sessions’). A blu-ray audio is the fourth and final disc and it delivers two separate surround sound mixes – a standard 5.1 and a Dolby Atmos mix (along with a hi-res stereo version of the new Giles Martin stereo mix). The super deluxe is packaged as a luxury hardcover book which slots into an outer slip case. There’s plenty of text with some wonderful photos (many by Linda McCartney). Unlike The White Album package this is a square 12″ x 12″ set. As well as the standard vinyl LP of the album remix, a 3LP vinyl box is offered which includes all the sessions (from the two CDs in the super deluxe) in their entirety. A 12-inch vinyl picture disc is the third vinyl option available. Additionally, a 2CD deluxe edition offers the new stereo mix on CD 1 with an alternate version of the album (drawn from the sessions) on disc two. A single CD with the stereo mix of the album will also be issued. Abbey Road was recorded in 1969 after Let It Be, although as is now reasonably well known, the album was actually released seven months before Let It Be, on 26 September 1969 (largely because no one could face the arduous task of going through those Let It Be tapes and trying to salvage an album out of them). Incredibly, work on songs that would end up on Abbey Road started just three weeks after the Let It Be sessions finished at 3 Saville Row. The fact that one-time ‘fifth Beatle’, Billy Preston, was still around for the recording of ‘I Want You (She’s So Heavy)‘ – in Trident Studios – underlines that fact. A different take of this song, with Billy letting loose at the end, is one of the outtakes included in the super deluxe and 3LP vinyl. Other bonus material of interest (let’s face it, it’s ALL of interest) includes Take 7 of the non-album track ‘The Ballad Of John And Yoko‘ – The Beatles’ last UK number one (and the only one to feature just John Lennon and Paul McCartney playing on it) – and an alternate reading of that song’s B-side, the George Harrison composition ‘Old Brown Shoe‘. McCartney’s solo demo for what would become Mary Hopkin’s ‘Goodbye‘ shows man and guitar at the peak of his powers. This much bootlegged recording – which has the air of a classic knocked off in his lunch break – is finally officially available on this Abbey Road set, as is George’s demo of ‘Something.’ That song was Harrison’s first single A-side, and while it won an Ivor Novello award it also became the first Beatles’ single not to reach either #1 or #2 in the UK singles chart since ‘Love Me Do’ peaked at 17 back in 1962 (‘Something’ stalled at #4). The demo of ‘Something’ has already appeared on Anthology 3 of course, although this is a different mix. Talking of which, very little Abbey Road related material from Anthology 3 has been repeated here – ‘Something’ (along with Paul’s demo for ‘Come and Get It’) is the exception rather than the rule. So for example, take 1 of ‘Because‘ features in the new Abbey Road sets but the ethereal acappella version from Anthologyisn’t anywhere to be found. The two discs of ‘sessions’ also includes three versions of ‘Her Majesty‘ (originally a ‘hidden’ track, of course), a 30 July ‘trial edit/mix’ of ‘The Long One’ which would become the famous medley (at this stage ‘Her Majesty’ was still slap bang in the middle of the sequence) and alternate takes of ‘You Never Give Me Your Money,’ ‘Here Comes The Sun‘ and ‘Oh! Darling‘. The blu-ray audio that comes in the four-disc super deluxe edition of the Abbey Road 50th anniversary reissue features not only the standard 5.1 mix, but also a Dolby Atmos mix. The latter was also created for Sgt. Pepper in 2017 but not completed in time for inclusion with the super deluxe of the 1967 album. Despite Dolby’s claims that Atmos mixes work fine on standard 5.1 set-ups, we basically have the best of both worlds here. Finally, a vinyl picture disc of Abbey Road is released at the same time as the four other physical formats. With Sgt. Pepper it followed a few months later. It’s worth noting that the original stereo mix of Abbey Road doesn’t appear anywhere on any of the formats (there was no mono mix). The 50th Anniversary editions of Abbey Road are released on 27 September 2019. Abbey Road 50th anniversary edition 3CD+Blu-ray super deluxe edition Disc 1 (CD) : 2019 Stereo Mix 1. Come Together 2. Something 3. Maxwell’s Silver Hammer 4. Oh! Darling 5. Octopus’s Garden 6. I Want You (She’s So Heavy) 7. Here Comes The Sun 8. Because 9. You Never Give Me Your Money 10. Sun King 11. Mean Mr Mustard 12. Polythene Pam 13. She Came In Through The Bathroom Window 14. Golden Slumbers 15. Carry That Weight 16. The End 17. Her Majesty Disc 2 (CD): Sessions 1. I Want You (She’s So Heavy) (Trident Recording Session & Reduction Mix) 2. Goodbye (Home Demo) 3. Something (Studio Demo) 4. The Ballad Of John And Yoko (Take 7) 5. Old Brown Shoe (Take 2) 6. Oh! Darling (Take 4) 7. Octopus’s Garden (Take 9) 8. You Never Give Me Your Money (Take 36) 9. Her Majesty (Takes 1-3) 10. Golden Slumbers/Carry That Weight (Takes 1-3 / Medley) 11. Here Comes The Sun (Take 9) 12. Maxwell’s Silver Hammer (Take 12) Disc 3 (CD): Sessions 1. Come Together (Take 5) 2. The End (Take 3) 3. Come And Get It (Studio Demo) 4. Sun King (Take 20) 5. Mean Mr Mustard (Take 20) 6. Polythene Pam (Take 27) 7. She Came In Through The Bathroom Window (Take 27) 8. Because (Take 1 – Instrumental) 9. The Long One (Trial Edit & Mix – 30 July 1969) 10. (Medley: You Never Give Me Your Money, Sun King, Mean Mr Mustard, Her Majesty, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, The End) 11. Something (Take 39 – Instrumental – Strings Only) 12. Golden Slumbers/Carry That Weight (Take 17 – Instrumental – Strings & Brass Only) Blu-Ray: Audio Features: – Dolby Atmos – 96kHz/24 bit DTS-HD Master Audio 5.1 – 96kHz/24 bit High Res Stereo (2019 Stereo Mix) Abbey Road 50th anniversary edition 3LP vinyl box LP ONE: Side 1 (2019 Stereo Mix) 1. Come Together 2. Something 3. Maxwell’s Silver Hammer 4. Oh! Darling 5. Octopus’s Garden 6. I Want You (She’s So Heavy) LP ONE: Side 2 (2019 Stereo Mix) 1. Here Comes The Sun 2. Because 3. You Never Give Me Your Money 4. Sun King 5. Mean Mr Mustard 6. Polythene Pam 7. She Came In Through The Bathroom Window 8. Golden Slumbers 9. Carry That Weight 10. The End 11. Her Majesty LP TWO: Side 1 (Sessions) 1. I Want You (She’s So Heavy) (Trident Recording Session and Reduction Mix) 2. Goodbye (Home Demo) 3. Something (Studio Demo) 4. The Ballad of John and Yoko (Take 7) 5. Old Brown Shoe (Take 2) LP TWO: Side 2 (Sessions) 1. Oh! Darling (Take 4) 2. Octopus’s Garden (Take 9) 3. You Never Give Me Your Money (Take 36) 4. Her Majesty (Takes 1-3) 5. Golden Slumbers/Carry That Weight (Takes 1-3) / Medley) 6. Here Comes The Sun (Take 9) 7. Maxwell’s Silver Hammer (Take 12) LP THREE: Side 1 (Sessions) 1. Come Together (Take 5) 2. The End (Take 3) 3. Come and Get It (Studio Demo) 4. Sun King (Take 20) 5. Mean Mr Mustard (Take 20) 6. Polythene Pam (Take 27) 7. She Came In Through The Bathroom Window (Take 27) 8. Because (Take 1 Instrumental) LP THREE: Side 2 (Sessions) 1. The Long One (Trial Edit & Mix – 30 July 1969) 2. Something (Take 39 – Instrumental – Strings Only) 3. Golden Slumbers/Carry That Weight (Take 17 – Instrumental – Strings & Brass Only) Abbey Road 50th anniversary edition 2CD deluxe edition CD 1: 2019 Stereo Mix 1. Come Together 2. Something 3. Maxwell’s Silver Hammer 4. Oh! Darling 5. Octopus’s Garden 6. I Want You (She’s So Heavy) 7. Here Comes The Sun 8. Because 9. You Never Give Me Your Money 10. Sun King 11. Mean Mr Mustard 12. Polythene Pam 13. She Came In Through The Bathroom Window 14. Golden Slumbers 15. Carry That Weight 16. The End 17. Her Majesty CD 2: Sessions 1. Come Together (Take 5) 2. Something (Studio Demo) 3. Maxwell’s Silver Hammer (Take 12) 4. Oh! Darling (Take 4) 5. Octopus’s Garden (Take 9) 6. I Want You (She’s So Heavy) (Trident Recording Session & Reduction Mix) 7. Here Comes The Sun (Take 9) 8. Because (Take 1 Instrumental) 9. You Never Give Me Your Money (Take 36) 10. Sun King (Take 20) 11. Mean Mr Mustard (Take 20) 12. Polythene Pam (Take 27) 13. She Came In Through The Bathroom Window (Take 27) 14. Golden Slumbers/Carry That Weight (Takes 1-3 / Medley) 15. The End (Take 3) 16. Her Majesty (Takes 1-3) Abbey Road 50th anniversary edition single CD edition 2019 Stereo Mix 1. Come Together 2. Something 3. Maxwell’s Silver Hammer 4. Oh! Darling 5. Octopus’s Garden 6. I Want You (She’s So Heavy) 7. Here Comes The Sun 8. Because 9. You Never Give Me Your Money 10. Sun King 11. Mean Mr Mustard 12. Polythene Pam 13. She Came In Through The Bathroom Window 14. Golden Slumbers 15. Carry That Weight 16. The End 17. Her Majesty
  18. https://www.prosoundnetwork.com/gear-and-technology/rupert-neve-designs-enters-hi-fi-market https://hifipig.com/rupert-neve-designs-introduces-fidelice-range/
  19. https://imotorhead.com/bmg-motorhead-embark-on-exciting-legacy-journey/ This deluxe two CD, 20 page mediabook includes:· The Overkill album; brand new master created from the original tapes for optimal lawn killing / wall-shaking dynamic range.· Live album of a newly unearthed, previously unreleased concert, recorded at Friars in Aylesbury on 31st March 1979.· Interviews with key players, accomplices, and various guilty parties in the world of Mötorhead in 1979.· Never before seen photos and rare memorabilia.TracklistDISC ONE - OverkillOverkillStay Clean(I Won't) Pay Your PriceI'll Be Your SisterCapricornNo ClassDamage CaseTear Ya DownMetropolisLimb from LimbDISC TWO - Live at Aylesbury Friars, 31st March 1979OverkillStay CleanKeep Us On the RoadNo ClassLeaving HereIron Horse / Born to LoseMetropolisThe WatcherDamage Case(I Won't) Pay Your PriceToo Late, Too LateI'll Be Your SisterI'm Your WitchdoctorTrain Kept A-Rollin'Limb from LimbWhite Line FeverMotörheadThis deluxe two CD, 20 page mediabook includes:· The Bomber album; brand new master created from the original tapes for optimal lawn killing / wall-shaking dynamic range.· Live album of a newly unearthed, previously unreleased concert, recorded at La Rotunde in Le Mans on 3rd November 1979.· Interviews with key players, accomplices, and various guilty parties in the world of Mötorhead in 1979.· Never before seen photos and rare memorabilia.TracklistDISC ONE - BomberDead Men Tell No TalesLawmanSweet RevengeSharpshooterPoisonStone Dead ForeverAll the AcesStep DownTalking HeadBomberDISC TWO - Live at La Rotunde, Le Mans 3rd November 1979OverkillStay CleanNo ClassMetropolisAll the AcesDead Men Tell No TalesI'll Be Your SisterLawmanToo Late, Too LatePoison(I Won't) Pay Your PriceSharpshooterCapricornTrain Kept A-Rollin'BomberLimb from LimbWhite Line FeverMotörhead