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ponkine

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Posts posted by ponkine


  1. Run Like Hell (from the 2019 Remix of Delicate Sound of Thunder) has just been made available as the fourth Instant Grat from Pink Floyd's forthcoming Box Set The Later Years. Produced by Bob Ezrin and David Gilmour, this was remixed by Andy Jackson with David Gilmour, assisted by Damon Iddins.

    The Later Years, compiled into 5 x CDs, 6 x Blu-rays and 5 x DVDs, plus 2 x 7” singles, will be packaged into a lavish box also containing a 60 page photo book, a lyric book, replica tour programmes and memorabilia.

     

     

     


  2. Pat Metheny's new album, 'From This Place,' is due February 21. The record features ten compositions by Metheny, who is joined by drummer Antonio Sánchez, bassist Linda May Han Oh, and pianist Gwilym Simcock, plus the Hollywood Studio Symphony led by Joel McNeely and special guests Meshell NdegeocelloGrégoire Maret, and Luis Conte.
     
    Pre-order in the Pat Metheny Store to download the track “America Undefined” now and get a limited-edition print signed by Pat.
     
     
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    • Like 2

  3. Hola amigos! :lol:

     

    "Pongo a disposición" una serie de exquisitos pedales. Realmente filete de primer corte. TODOS Made in USA, a excepción del Chorus, que es MADE IN JAPAN. Nada water, todo de verdad de primer nivel

    1) Deluxe Mona Vintage Wah: Wah exquisito, sonido vintage, con controles de Frecuencia y Q, además de nivel de Buffer. Con dos mini toggles, el izquierdo es on/off para el buffer (a prueba de fuzzes mañosos), y el derecho 3 voces diferentes de wah; clásico, más agudos y más bajos.

    Se puede usar con batería de 9v (incluida) o conectado a fuente de poder o transformador. Incluye caja y folleto. ¡A sólo 95 mil pesos!

     

    2) Keeley Echoes: El legendario Binson Echorec de David Gilmour en formato pedal, versión Keeley. Básicamente es la sección delay del famoso Keeley Dark Side, aunque más versátil. Tiene dos dipswitches internos, para distintos sonidos. Pedal comprado directamente a Keeley, creo que no hay ningún otro dando vueltas por ahí. Como nuevo, incluye caja, stickers y folleto. ¡A sólo 115 mil pesos!

     

    3) Chorus Maxon PAC9, made in Japan, 100% análogo. Maravilloso sonido tridimensional. Con controles de Speed(velocidad) y Width (intensidad), además de dos toggle switches. Tiene dos tipos de salidas que pueden usarse para distintos sonidos. Incluye caja y folleto originales ¡A sólo 95 mil pesos!

    İmage

    İmage

    İmage

    İmage

    İmage

    İmage

    İmage

    İmage

    Entrega en Viña del Mar, envío a regiones. 

    Cualquier cosa MP o a mi correo. O bien a mi celu 981519403

    :hambriento:

     

     

     

    • Like 1

  4. :lol:

    Hola amigos !!!

     

    Pongo a la venta este gran y versátil bajo Ibanez SR 500. Muy cómodo de tocar, liviano, con cápsulas Bartolini (0 ruido).

    Bajo activo con EQ de 3 bandas que permite una amplia variedad de sonidos. Incluyo un afinador D'addario Clip, una batería de 9v adicional y una funda. ¡A sólo 285 mil pesos!

    Si ud tiene algún hijo(a), amigo(a), etc o ud mismo que quiera hacerse de un buen bajo por un excelente precio, esta es la oportunidad.

     

    Soy de Viña del Mar City

    Cualquier cosa MP, a mi teléfono 981519403 o a mi correo

    Aprovechen amigos. En este rango de precio no hay NADA mejor

    PD: El cuadro de los Beatles no va incluído en la venta :p

    UgNYngC.jpg?1

    Y99ANnu.jpg?1

     


  5. 71763110_10157716196084439_5017946167502


    "Recorded for no budget in a Stoke Newington bedroom in 1998 by a down on his luck singer-songwriter and self-released on a kitchen sink label, White Ladder slowly (very, very slowly) found an audience. It took a year to creep into the lower reaches of the British charts, then worked its way all the way up to number one. White Ladder eventually spent 3 years (from May 2000 to March 2003) in the UK top 100, spawning classic hit singles ‘Babylon’, ‘Please Forgive Me’ and ‘Sail Away’. It went on to sell over 7 million copies worldwide. It remains in the top 30 best-selling British albums of all time and the best-selling album ever in Ireland (a nation who know a good song when they hear it).

    Celebrating its 20th anniversary with an expanded edition, it is interesting to consider the extraordinary aftermath of White Ladder. Its success spawned a new wave of singer-songwriters in an acoustic boom that resonates to this day, a soul-baring lineage that can be directly traced from David Gray to the all-conquering Ed Sheeran. Indeed, Ed is a fan, whose passionate live version of ‘This Year’s Love’ can bring tears to the eye. Fellow world beating British superstar Adele is also an admirer, citing ‘This Year’s Love’ as one of her all-time favourite break-up songs.

    In the wake of White Ladder, every major record company began signing and developing guitar wielding troubadours. David Gray was followed into the UK charts by Damien Rice, KT Tunstall, Katie Melua, James Blunt, James Morrison, James Bay, Paolo Nutini, and, ultimately, Ed Sheeran and a second wave of guitar boys including George Ezra, Tom Walker, Tom Grennan and Lewis Capaldi. In the US (where White Ladder sold 2 million copies), Jack Johnson, John Mayer and Jazon Mraz were amongst singer-songwriters whose careers received a significant commercial boost. White Ladder was a music industry game changer.

    And yet White Ladder remains apart from everything that followed. While the record company model involved putting young guitarist-singers into the studio with teams of established pop writers and producers, White Ladder was the work of a lone artist plumbing the depths of his soul.

    White Ladder was born of difficult circumstances. David Gray had been struggling on the margins for a decade, a lonely figure with an acoustic guitar swimming against the tide of Britpop, grunge, hip hop and electro. With three albums to his name, he found himself advertised third on the bill to beer and a barbecue. “Futility was so thick on the ground it was utterly soul destroying.” He came close to quitting. But instead, he asked himself some difficult questions: “Can you make a better record? Can you write a better song? The decision was to open up and give it everything I’ve got. The open heartedness that White Ladder has at its very core is in direct relation to the sense of bitterness and defensiveness that prevailed upon me. White Ladder is the negative flipped into positive.”

    He wrote and recorded in a tiny terraced house on Lordship Road in Stoke Newington. He had to record during the day so as not to disturb the neighbours. “The windows were open because it was hot, and you can hear traffic noises very clearly. It’s the ultimate bedroom recording, actually made in my bedroom.” Lacking big studio facilities, David experimented with drum machines and electronic elements, creating a blend of folktronica that has since become a familiar part of the musical landscape, aided by drummer Craig McClune and engineer Iestyn Polson.

    David released White Ladder in Ireland on his own IHT label in November 1998. “We cobbled it together, got a distributor, pressed 5,000 copies and hoped for the best.” Released in the UK in March 1999, it reached number 69 in the charts. American jam rock superstar Dave Matthews was such a fan he personally licensed the album for his ATO label in the US. Meanwhile East West records, a division of Warner, took the reins, releasing ‘Babylon’ as a single in June 2000.

    After that, the floodgates opened. ‘Babylon’ became one of the hits of the summer, White Ladder became a multi-million global phenomenon, and David Gray jumped from playing pubs to theatres to arenas in the space of a few frenetic months. “It was nuts. We were just laughing all the time. It was like a slow explosion, with moments of detonation that took it to another level. It was perfect in a way you could never design.”

    White Ladder has become part of the fabric of the world. “A friend was in the Himalayas and ‘Sail Away’ was playing at base camp. I’ve heard tell of my songs coming out of radios and stereos in the strangest places, from Tel Aviv to Timbuktu. We made the best record we could, and by some miracle it managed to charm its way across the threshold. It didn’t just open the door a crack, it kicked the ****ing thing down. We came straight through. That was astonishing. You can make a great record but it is exceedingly rare that it will go on and become something bigger than itself. It was charged with all kinds of energies, the right thing in the right place at the right time, in this openhearted moment.”

    White Ladder caught something of the mood at the end of the century and the start of a new one, the comedown from the pomp of the nineties mixed with nervous hope for the future. Gray’s music is both intimate and broad, intensely personal yet capable of speaking to the masses. “I don’t write behind some sort of cloak. I’m the opposite of an enigma, I am just heart on sleeve. I think your strength as a creative person is your vulnerability. If you're not venturing anything you’re nowhere, there has to be something fragile and breakable being handed over. That was White Ladder. It is almost all I can say about it.”

    Gray has released 11 complex, ambitious, heartfelt albums across his career. Some have been big commercial successes (2002’s A New Day At Midnight and 2005’s Life In Slow Motion were UK chart toppers), others have been more intimate and experimental. “It’s instinctive, you have to go where the music needs to go, otherwise the gleam, the sparkle will fall away.” All offer up songs of the highest quality, performed as if his life depends on them. Gray’s passionate, vocational approach has established an incredibly loyal audience prepared to follow him on every adventure.

    “I've been happy after the event to get back to writing the music that I felt was in me and following my creative path. I don’t think the records I've made since have been worse or better. I just think what happened with White Ladder involved more than music. It was a sort of heart and soul moment of total surrender for everybody involved, for me and the audience. That was it. It doesn't get any better than that.”

    Twenty years on, White Ladder remains an album of great depth and startling beauty, a superlative collection of emotional songs capturing a very special moment in time, as raw and immediate as when it was recorded."

    This expanded, deluxe release features the iconic album newly mastered on 2 pieces of white vinyl plus previously unreleased and rare White Ladder -era B-sides and demos on 2 pieces of black vinyl. It also includes a digital download card for both albums. David Gray has also personally crafted a series of writings about his White Ladder experience, chronicling the people involved, and the stories behind some of the songs and most memorable shows. These writings are featured in a commemorative book alongside rare photography and housed in beautiful packaging that also features the lyrics to timeless hits such as “This Year’s Love,” “Babylon,” and “Sail Away.”

    “What happened with White Ladder involved more than music. It was a sort of heart and soul moment of total surrender for everybody involved, for me and the audience. That was it. It doesn't get any better than that.” - David Gray

    Tracklist:

    LP Disc 1 & 2

    Please Forgive Me

    Babylon

    My Oh My

    We’re Not Right

    Nightblindness

    Silver Lining

    White Ladder

    This Year’s Love

    Sail Away

    Say Hello, Wave Goodbye


    LP Disc 3 & 4

    Lights Of London

    Over My Head

    Monday Morning

    Tired Of Me

    Roots Of Love

    Walking In Circles

    Through To Myself

    Over My Head (demo)

    What On Earth (demo)

    Silver Lining (demo)

    This Year’s Love (demo)

    Please Forgive Me (demo)

     

     


  6. https://www.loudersound.com/news/rick-wakeman-to-release-official-bootleg-series-box-set?fbclid=IwAR33Bzeph3Gb3q4IYWvmUzyjSDVy_OuONT_yberKV2R8oeKgjpbq5MVvaZ0

    Rick Wakeman

    Rick Wakeman is to release a 10CD box set later this year, capturing his live work recorded between 1974 and 2014.

    Box Of Boots: Set Of 10 Live CDs: Official Bootleg Series will launch on December 2 and is limited to 1000 copies, with each package containing a signed and numbered certificate.

    A statement on the release reads: “This is a response to these concerts being heavily bootlegged throughout the years and continuing the trend of Frank Zappa, Bob Dylan, Neil Young and Pearl Jam, Rick has decided to make stand against the bootleggers and supply official bootlegs.

    “These have been cleaned up in the studio, packaged in a great way at a fraction of the price saving fans from buying them off the black market.”

    Find a list of the live shows contained in the box set below.

    Wakeman is currently on his Grumpy Old Rock Star Tour across North America and will return to the UK in December for his Grumpy Old Christmas Show Tour.

     

    missing-image.svg

    Rick Wakeman: Box Of Boots contents

    Boston, USA, 1974
    Live At Boston Music Hall, Boston, MA - October 5, 1974

    Osaka, Japan, 1975
    Journey To The Centre Of The Earth, Koseinekin Hall, Osaka, Japan - January 21, 1975

    Vienna, Austria, 1976
    Vienna Ensemble 1976, Live In Vienna, Kurhalle, Oberlaa

    Preston, UK, 1981
    Live at Guildhall Preston - November 16, 1981

    Sheffield, UK, 1981
    Live at the City Hall Sheffield, UK - November 21, 1981

    Daphne Du Maurier Festival, UK, 2001
    January 17, 2001

    Tokyo, Japan, 2008
    Solo performance in Tokyo, 2008

    Rick Wakeman and the English Rock Ensemble Cropredy, UK 2010
    Live at Cropredy Festival, Oxfordshire, UK, 2010

    Tokyo, Japan, 2014 International Forum Hall
    Tokyo - July 1, 2014

    Osaka, Japan, 2014
    Sankei Hall - June 30, 2014


  7. https://www.superdeluxeedition.com/news/the-beatles-the-singles-collection/

     

    The Beatles / The Singles Collection

    beatles_single_collection-480x505.jpg

    23 seven-inch singles in a box • Cut from original mono/stereo tapes

    Apple Corps and Universal Music will issue The Singles Collection in November, a new Beatles box set that gathers all of their seven-inch vinyl single releases together in one box set.

    The package gathers all 22 UK singles from the original era with their respective B-sides (or AA-side in the case of some). The exception to this is 1995’s ‘Free As A Bird’, which is the 23rd and final seven-inch included in this package, but becomes a double A-side with 1996’s Real Love. The original B-sides of those two Anthology-era singles – ‘Christmas Time (Is Here Again)’ and a live recording of ‘Baby’s In Black’ – are ignored). The EPs aren’t included in The Singles Collection, so no ‘Magical Mystery Tour’ or ‘Long Tall Sally’, for example.

    Every single here reached number one in the UK charts, except ‘Love Me Do’ (#17), ‘Please Please Me’ (#2) ‘Strawberry Fields Forever’/’Penny Lane’ (#2) ‘Something’ (#4), ‘Let It Be’ (#2), Free As A Bird (#2) and Real Love (#4).

    To make things interesting these seven-inch singles will use various international cover art, so the ‘Love Me Do’ sleeve is from the USA, ‘She Loves You’ from Germany and ‘Ticket to Ride’ is from Sweden (‘Free As A Bird’ had the same artwork everywhere).

    Each seven-inch single is pressed on heavyweight vinyl (incorrectly described as “180g” by the label) and these are “newly cut for vinyl from their original mono and stereo master tapes” by Sean Magee at Abbey Road Studios.

    NEWS

    The Beatles / The Singles Collection

    October 16, 2019 by Paul Sinclairtags: 1960s, The Beatles

    beatles_single_collection-480x505.jpg

    23 seven-inch singles in a box • Cut from original mono/stereo tapes

    Apple Corps and Universal Music will issue The Singles Collection in November, a new Beatles box set that gathers all of their seven-inch vinyl single releases together in one box set.

    The package gathers all 22 UK singles from the original era with their respective B-sides (or AA-side in the case of some). The exception to this is 1995’s ‘Free As A Bird’, which is the 23rd and final seven-inch included in this package, but becomes a double A-side with 1996’s Real Love. The original B-sides of those two Anthology-era singles – ‘Christmas Time (Is Here Again)’ and a live recording of ‘Baby’s In Black’ – are ignored). The EPs aren’t included in The Singles Collection, so no ‘Magical Mystery Tour’ or ‘Long Tall Sally’, for example.

    Every single here reached number one in the UK charts, except ‘Love Me Do’ (#17), ‘Please Please Me’ (#2) ‘Strawberry Fields Forever’/’Penny Lane’ (#2) ‘Something’ (#4), ‘Let It Be’ (#2), Free As A Bird (#2) and Real Love (#4).

    To make things interesting these seven-inch singles will use various international cover art, so the ‘Love Me Do’ sleeve is from the USA, ‘She Loves You’ from Germany and ‘Ticket to Ride’ is from Sweden (‘Free As A Bird’ had the same artwork everywhere).

    Each seven-inch single is pressed on heavyweight vinyl (incorrectly described as “180g” by the label) and these are “newly cut for vinyl from their original mono and stereo master tapes” by Sean Magee at Abbey Road Studios.

    The front cover of this box set is consistent with previous packages like the 2014 The Beatles in Mono vinyl box and this comes with a 40-page booklet with notes by Kevin Howlett.

    Sadly, in this rather vinyl obsessed age, this singles box set isn’t being issued on CD. I doubt it was even considered but a set with Japanese style 3″ CD singles would have been cool.

    The Singles Collection will be released on 22 November 2019. This is described as a ‘limited edition’ box although we don’t know how limited it is.

    track_listing.gif

    The Beatles / The Singles Collection seven-inch box set

    The Singles Collection seven-inch singles box

    1962 [SLEEVE ART: U.S.]
    1 A: Love Me Do
    2 B: P. S. I Love You

    1963 [SLEEVE ART: CHILE]
    1 A: I Want To Hold Your Hand
    2 B: This Boy

    1963 [SLEEVE ART: GREECE]
    1 A: She Loves You
    2 I’ll Get You

    1963 [SLEEVE ART: ITALY]
    1 A: Please Please Me
    2 B: Ask Me Why

    1963 [SLEEVE ART: NORWAY]
    1 A: From Me To You
    2 B: Thank You Girl

    1964 [SLEEVE ART: AUSTRIA]
    1 A: Can’t Buy Me Love
    2 B: You Can’t Do That

    1964 [SLEEVE ART: HOLLAND]
    1 A: A Hard Day’s Night
    2 B: Things We Said Today

    1964 [SLEEVE ART: SWEDEN]
    1 A: I Feel Fine
    2 B: She’s A Woman
    1965 [DO

    DOUBLE A-SIDE / SLEEVE ART: FRANCE]
    1 A: We Can Work It Out
    2 A: Day Tripper

    1965 [SLEEVE ART: BELGIUM]
    1 A: Help!
    2 B: I’m Down

    1965 [SLEEVE ART: SPAIN]
    1 A: Ticket To Ride
    2 B: Yes It Is

    1966 [DOUBLE A-SIDE / SLEEVE ART: ARGENTINA]
    1 A: Eleanor Rigby
    2 A: Yellow Submarine

    1966 [SLEEVE ART: TURKEY]
    1 A: Paperback Writer
    2 B: Rain

    1967 [DOUBLE A-SIDE / SLEEVE ART: AUSTRALIA]
    1 A: Strawberry Fields Forever
    2 A: Penny Lane

    1967 [SLEEVE ART: MEXICO]
    1 A: Hello, Goodbye
    2 B: I Am The Walrus

    1967 [SLEEVE ART: WEST GERMANY]
    1 A: All You Need Is Love
    2 B: Baby, You’re A Rich Man

    1968 [SLEEVE ART: JAPAN]
    1 A: Lady Madonna
    2 B: The Inner Light

    1968 [SLEEVE ART: SOUTH AFRICA]
    1 A: Hey Jude
    2 B: Revolution

    1969 [SLEEVE ART: DENMARK]
    1 A: Get Back
    2 B: Don’t Let Me Down

    1969 [SLEEVE ART: ISRAEL]
    1 A: Something
    2 B: Come Together

    1969 [SLEEVE ART: PORTUGAL]
    1 A: The Ballad Of John And Yoko
    2 B: Old Brown Shoe

    1970 [SLEEVE ART: UK]
    1 A: Let It Be
    2 B: You Know My Name (Look Up The Number)

    1995 / 1996 [EXCLUSIVE DOUBLE A-SIDE SINGLE / SLEEVE ART: WORLDWIDE]
    1 A: Free As A Bird [1995]
    2 A: Real Love [1996]


  8. 1 hour ago, Janowar said:

    Cuál fue el setlist del domingo?

     

    Básicamente el mismo que el sábado (cambiando orden de canciones) en donde las diferencias fueron 'Frame By Frame', 'Elektric' y 'Lark's Tongues Part II'. El Sábado, en lugar de esas tocaron 'Suitable Ground For The Blues', 'Neurotica' y 'Pictures of a City'

     

     

    • Like 1

  9. ¿Notaron que fueron muy similares los dos setlists?. Eso no pasó en otras ciudades. Por lo que tengo la tincada que van a lanzar algo oficial de Chile

    Cuando lanzaron en los 90s el disco en vivo en Argentina, compilado a partir de todas esas noches que tocaron allá, el set también fue bien similar noche tras noche

     

     


  10. Que notable que finalmente King Crimson estuvieron aquí

    Cuántos años de rumores, sueños, etc

     

    Llegó un momento en que "King Crimson en Chile" pasó a ser un mito urbano casi como "Pink Floyd en el Valle de la Luna".

    Pero finalmente se hizo realidad!

     

    Ojalá se venga un lanzamiento oficial.